Saturday April 25th Doors 21:00 Concert 22:00 Sharp!

Fraction.Bruit #7

|||::: live ::: live ::: live ::: live ::: live :::|||
->& HORROR
->JEALOUSY PARTY
->THE REVENGE OF THE ROTTEN JELLYFISH – > feat. MARIA JIKU
->JOKE LANZ TURNTABLISM

::: between and after shows on decks :::
->JD ZAZIE


— > & HORROR (GRETA CHRISTENSEN)
-known for her incredible work in the sound art project vinyl terror & horror – presents here one of her extremely rare solo shows!
if you miss that day – nobody knows when you’ll get your next chance…

http://www.vinylterrorandhorror.com/vinylterrorandhorror.com/welcome.html

— > JEALOUSY PARTY
JP is a Berlin based abstract r&b band blending noise with free funk, earthquake dub-hop and idiosyncratic electronic collages in a personal way they call punca.

http://www.burpenterprise.com/burp/units/jealousy-party/

— > THE REVENGE OF THE ROTTEN JELLYFISH
foundet in the springing berlin 2013 just to melt down your brain
>ZUSTAND D. (DEL_F64.0)::: clarinette & electronics
>MARC FANTINI (MONNO)::: drums
>DR. NEXUS (DR. NEXUS)::: electronics & eletronic weirdness
>>>feat. MARIA JIKU (888)::: voice
is there any more you need to know?
we don’t think so …….

https://www.facebook.com/revengeoftherottenjellyfish?ref=hl

https://soundcloud.com/the-revenge-of-the-rotten-jellyfish

http://www.mariajiku.info/jiku/JIKUUUUUUUUUUU.html

— > JOKE LANZ TURNTABLISM
Joke Lanz ist ein kompromissloser Meister der Gegensätze: der durchdachten Dramaturgie und der Spontanität; des subtilen, witzigen Aufbaus und der absoluten Brachialität. Sein perfektes Timing für die passende Antwort, für die logische Entwicklung oder vor allem für die überraschende Wende lässt einen denken, dass die Turntables für ihn keine Instrumente, sondern eine Art musikalische Prothese sind. Wie man auf Spanisch sagt: „Wenn die anderen erst hingehen, ist er längst zurückgekehrt.“ (Jorge Sánchez-Chiong, Komponist, Wien)

http://www.suddeninfant.com/

— > JD ZAZIE
Coming from a DJ and a radiophonic background JD Zazie has explored over the years different approaches of real-time manipulation on fixed recorded sound.
In her work she redefines DJ and electroacoustic activities. As a solo performer, in small groups or large ensembles she moves in an area which is constantly stretching the borders of what is supposed to be DJ mixing, free improvisation and composed music.

http://jdzazie.tumblr.com/