11th Series Ignaz Schick & Maria Chavez Turntablists
A monthly meeting in which two sound artists will be invited to play solo sets with a final match (1+1) as speculative (z) process. A series of live performances involving modified devices, handbag electronics, open hardware, custom software and unstable systems.
http://r-aw.cc/11
Ignaz Schick: Turntablist, sound artist, performer & composer.
In his youth he studied the saxophone and performed in free jazz and avant rock bands. At the same time he was getting obsessed with multitrack tape machines,record players and effect boxes and he started experimenting with many different instruments and sound making devices. After college he briefly studied at the Academy of Fine Arts in Munich and worked for several years as an assistent for the contemporary composer Josef Anton Riedl.
Since the late 1995 he works and lives in Berlin where he became an active and integral force of the so-called “Berlin Nouvelle Vague” and the blossoming “real time music” scene. From the middle of the nineties onwards his interest and activities almost completely shifted towards live-electronics and after testing various instrumentations (hard- & software samplers, signal processing, contact mics, field recordings, …) he developed his own and quite unique electro-acoustic set-up which he calls “rotating surfaces”. Various objects and materials (from wood, metal, plastic, paper or violin bows and cymbals) are played directly on the rotating metal plate of the turntable and the vibrations are simply amplified with a small condensator microphone. With this set-up he covers many different styles of contemporary experimental music – ranging from extreme reductionism via ambient, industrial, musique concrete, electronica to harsh noise.
http://www.zangimusic.de
http://www.myspace.com/ignazschick
MARIA CHAVEZ
Born in Peru, avant-turntablist Maria Chavez currently resides in Brooklyn, New York.
Chavez’s work is focused on short solo electro-acoustic sound pieces using a collection of new and broken needles that she calls “pencils of sound” and a selection of records, which provide the palette. Many of her live sound installations have focused on the paradox of time and the present moment, with many influences stemming from improvisation in contemporary art.
Her work has been recognized by the Jerome Foundation, which awarded her the Emerging Artist Grant by New York’s Roulette Intermedium in 2008. In 2009, she became a recipient of the Van Lier Fellowship which is generously offered to young sound artists by The Edward and Sally Van Lier Fund of the New York Community Trust.
She has traveled extensively, sharing the stage with Pauline Oliveros, Alan Licht, Phil Niblock, and Otomo Yoshihide to name just a few. She has performed in venues including the Contemporary Arts Museum in Bordeaux, France; the Akademies der Kunste in both Vienna and Berlin; and Sonoteca in Lima, Peru. She was an artist in residence in 2008 with the Merce Cunningham Dance Company and the DIA:Beacon Museum and recently performed for Christian Marclay at the Whitney Museum of American Art in NYC as part of Christian Marclay: FESTIVAL.
http://www.myspace.com/mariachavez
http://www.mynamelookslikeme.wordpress.com